Bibliography: v. 1, p. 319-345.
|LC Classifications||ND623.C26 M6|
|The Physical Object|
|LC Control Number||66010315|
The Italian Followers of Caravaggio, Volume I University Press has partnered with De Gruyter to make available for sale worldwide virtually all in-copyright HUP books that had become unavailable since their original publication. The 2, titles in the “e-ditions” program can be purchased individually as PDF eBooks or as hardcover. Italian followers of Caravaggio. Cambridge, Harvard University Press, (OCoLC) Named Person: Michelangelo Merisi da Caravaggio; Michelangelo Merisi da Caravaggio; Le Caravage; Michelangelo Merisi da Caravaggio; Michelangelo Merisi da Caravaggio: Material Type: Biography: Document Type: Book: All Authors / Contributors: . Free shipping for non-business customers when ordering books at De Gruyter Online. Please find details to our shipping fees here Next chapter. V. SICILY. $ / 30,00 € / £ Get Access to Full Text. Citation Information. The Italian Followers of Caravaggio. Volume I. Harvard University Press. Pages: – ISBN (Online. Caravaggio and his Followers in Rome book. Read 3 reviews from the world's largest community for readers. The Italian artist Caravaggio () had a /5.
frontmatter; preface; contents; introduction: caravaggio and caravaggism; i. the beginnings of caravaggism: rome before ; ii. roman caravaggism – Michelangelo Merisi da Caravaggio (29 September –18 July ) lived probably the darkest and most dangerous life of any of the great painters. The worlds of Milan and Rome through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and prostitutes, prayer and violence/5. Out of Print. The Italian artist Caravaggio () had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. Caravaggio, leading Italian painter of the late 16th and early 17th centuries who became famous for the intense and unsettling realism of his large-scale religious works. While most other Italian artists of his time slavishly followed the elegant balletic conventions of late Mannerist painting.
Orazio Gentileschi (–) was the first of Caravaggio’s many followers. Gentileschi emphasized realism like Caravaggio and placed his subjects close to the viewer in a stop-action moment as in his The Lute Player (). In this sensitively rendered painting, a female lute player, illuminated by Caravaggio’s cellar lighting, gently. Notorious bad boy of Italian painting, now considered one of the greatest influences in all of art history. This comprehensive catalogue raisonné reproduces all of Caravaggio 's paintings as well as a number of dramatic details of his boundary-breaking realism. Five chapters assess Caravaggio's artistic daring, while a detailed chronology Category: Books > Art. Add tags for "The Italian followers of Caravaggio / 2.". All user tags (1) View most popular tags as: tag list | tag cloud. These followers, whether Italian, Spanish, French, or Netherlandish, were especially attracted to Caravaggio’s tenebrism – the use of dark shadows to obscure parts of the composition. Caravaggio’s employment of tenebrism and chiaroscuro, the strong contrast of light and dark, lends his paintings a dramatic effect that has been likened to.